I worked my ASS OFF to get done, but as I was puling an all-nighter the day before I would head out, I knew I wouldn't get it done in time. Crushing. I took what I had, even though I knew that taking incomplete work was pretty much instant rejection when it comes to getting work. I gave it my best, but I just wasn't fast enough to pull it off.
I decide it would be a waste of time and money to go to the show empty-handed, so I took what I had and showed to everyone that would look. I got a very favorable response, considering that only one page was %100 complete. It was very difficult to believe anything nice that people said about the work, because my own insincerities as I praised the work of others have made me skeptical of flattery and applause. When someone asks you, to your face, if you like their art, you say yes, even if you hate it. I think the golden mean lies in how much you care what people think. I have always cared way too much.
A few months later, giving this stuff a fresh look, I think these are the best comics pages I've done yet, so I thought I would post them. Robots, evil babies, motorcycles: fun stuff to draw. Also an evil Freddy Mercury disposable goon.
Also, for fun, here are the thumbnails, in various stages of revision.
'I think the golden mean lies in how much you care what people think. I have always cared way too much.'
ReplyDeleteOnce you realize this, you can do anything with your art. I had a similar experience earlier this year. At some point, you realize that you draw like you. Whatever affectations or supposed 'flaws' are in your art, that's you. Yes, that even goes for cats like Rob Liefeld.
Just accept it and move forward.
I'm glad you've broken out of that mindframe, Steve. These pages and everything you're posting lately have been fantastic.
Looking forward to more as always.
-ADRIAN